Sault: Untitled (Rise) review – mystery collective make best album of 2020, again
Over the last two years, Sault’s music has arrived out of the blue: no interviews, no photos, no videos, no live appearances, no Wikipedia entry, a perfunctory and entirely non-interactive social media presence. Physical copies of their three previous albums have credited Inflo as producer – otherwise best-known as the producer of Little Simz’ Grey Area and co-writer of Michael Kiwanuka’s Black Man in a White World, each of which won him an Ivor Novello award. Kiwanuka got a guest artist credit on their last album, Untitled (Black Is), released in June. So did Laurette Josiah, the founder of a north London children’s charity, who it turns out is Leona Lewis’s aunt. The only other available fact is that proceeds from the album “will be going to charitable funds”. Speculation about the collective’s other members has neither been confirmed nor denied, nor has anyone claimed responsibility for music that’s thus far been rapturously received on both sides of the Atlantic.
You could decry this approach as counterproductive. Perhaps a higher profile, a modicum of desire to play the game, might have helped turn Wildfires, the exquisite and excoriating standout from Untitled (Black Is), into the hit it deserved to be. Yet Sault seem to use the time they save by not promoting their albums or engaging with the public profitably. Untitled (Rise) is not only their fourth album in 18 months, it’s their second double album in just over 12 weeks. It’s a work rate that would seem ...
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